How To Draw Lines On Text In Illustrator

Discover how to create visually interesting layouts with two sets of text in this Adobe Illustrator typography tutorial.

Typography is an fine art in and of itself; the do of arranging various font styles, assigning color, and establishing an interaction amongst text elements impacts how viewers perceive the whole design. Every bit you advance in your design abilities, you'll start to remember about how the letterforms work together instead of but typing out a phrase and placing it on your design.

At that place are many techniques yous can use to spice up a headline or a unproblematic phrase.

Overlapping text reading Make Waves

In this Adobe Illustrator typography tutorial, yous'll learn how to overlap and weave letterforms together to create intertwined text.

Step 1: Pick Two Contrasting Fonts

Brainstorm by searching for a contrasting font pair with styles on the opposite ends of the spectrum. I find that combining a sans serif manner with a script style works well. The juxtaposition of a heavy, monoweight style and a dynamic script e'er looks interesting.

Not sure where to source budget-friendly fonts? Bank check out our list of free font resource.

Type out text using the Type tool in Illustrator

Julietta and Futura Condensed Fonts.

Now that you've establish varying type styles, call back of the actual words you lot might utilise in this typographic layout. Words with a similar amount of characters work in an overlapping format; the phrase "make waves" fits the pecker.

Type out each word using the Type tool in Illustrator. Use the bold sans serif font on the offset give-and-take, equally this will be the base of operations layer.

Step two: Place Phrase on Top

Overlap the phrases by moving their text boxes and bring the lighter script manner to the front withShift + Command + ]. Then create a new layer within theLayerspanel and bring the top phrase to the 2d layer.

Move layers on top of each other and convert the text to objects

Find a unique interaction between the phrases, tilting the top path if necessary. Then, convert your text paths to vectors by navigating toObject > Expand.

When choosing color palettes to apply for your typographic layout, think of the context of the design, along with how the words might read. Darker hues will retreat to the background, while lighter hues take the spotlight. Experiment with various colour swatches or manipulate the RGB or CMYK sliders within theColorcarte du jour.

Step 3: Remove Overlaps

To create an intertwined typographic layout, we're going to reconfigure how the letterforms interact. Observe the overlapping portions of each letterform and consider which pieces should exist removed. Just remove portions that do not impact legibility.

Select the top layer of the phrase with theOption Tool (V)and so activate theEraser ToolwithShift + E. Y'all can reduce the transparency of the top layer to guide the removal process.

Erase overlapping areas using the Eraser tool

Drag the eraser across portions that are being removed to become a glimpse of how the typographic layout appears. Adjust the size of your eraser with [to decrease and] to increase. Undo your actions with Control + Zif necessary. Don't worry about complete accuracy at this point, but go along your eraser inside overlapping areas.

Use the pen tool to remove anchor points and complete the overlap

Within thePen Tool (P)dropdown, actuate theAdd Anchor Signal Tool (+)and map out the verbal signal of overlap on the top layer. Delete excess ballast points with theDelete Anchor Point Tool (-), then adjust private bezier curves by holding down thePick primaland dragging the blue handles.

Footstep 4: Add together Dimension with Gradients

Gradients will add together highlights and shadows to the text, simulating a iii-dimensional layout while transforming the expect and feel of a flat vector blueprint.

Brainstorm by duplicating the peak layer within the Layers panel by holding down theOption key, then dragging upwards until you see a blueish line. Select the newly copied layer with theSelection Tool (Five), then ungroup all elements withShift + Control + Grand.

Use the Gradient tool to add more color

Erase and delete the portions of each letterform that do not border the lesser phrase. Select the remaining portions, then open theGradient Tool (G) to adjust the transition of color. Drag the fill up color to the gradient slider, then copy the colour by property downwardly theOption centraland dragging across. Delete the default blackness hue and select the duplicated slider and conform its hue with the RGB sliders.

Overlapping text reading Make Waves

The primal to a natural gradient is to create a subtle transition between 2 or three colors. Drastic changes in color may announced harsh when applied to vector shapes. When you've institute a gradient that works with your limerick, use theEyedropper Tool (I)to apply the same slope to the remaining shapes. Adjust the angle and direction of your gradient as needed.

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